I don't get what you mean about my characterization of Eirru in this one. She kept attacking him even when he was out there. The only time she stops to talk is to diss him, which she's been doing plenty of already.

I agree that it's hard to follow in the middle. Some space between the panels would have helped that. It's one of the things that I didn't get to do anymore in the end. The other thing that would've helped is if we had planned out the frikkin place beforehand. As far as I'm concerned, by the time we got to your last comic, the place has turned into some sort of ficto-dimensional time-space vortex that shapes itself based on the plot.

I agree that the last panel is weak, but whatcha gonna do.I think it might've worked better if I'd gotten the time to do something else I've been planning, which is to use colored lighting to set the mood in earlier panels. Red for the burning rage, green for after the epiphany.

But yeah, one reason this took so long is because at first I was downright terrified of working on it, and in the end... I kinda lost interest. As I said, I got what I wanted out of the art battle. At some point I managed to combine my increased understanding of anatomy with the just-for-fun stuff I've been doing and managed to find a way to draw that actually makes it fun. For the past years, and I'm blaming this on you, drawing has been a painful struggle to me. So yeah, that's what I owe you, I guess. Can't change the past, gotta make do with what I have.

I'll check out the stuff you linked to at some later point.