Nov 18, 2002, 02:47 PM | |
Fliter
Why is there a fliter for words on JCF when it's never used.
For example, I write a swear word in the middle of a sentance or something. So these **** little friends come into play. Fine. So why do they need to be edited again? To (/) or stupid ![]() I'm sure others of you have had this problem? Maybe someone understands why...cuz I don't.
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<center> L33T LIEK JEFF K. |
Nov 18, 2002, 03:09 PM | |
I was wondering the same thing. **** is just as obvious as (/).
I mean, if I say 'man I can't handle this ****!', it's obvious what I said, just as (/) is. I think Derby just likes editing things. He has to have something to do ![]() |
Nov 18, 2002, 03:11 PM | |
Well when anyone sees ****, they know it is a swear word. So it is almost as inappropriate to have a swear filtered out with *s as it is to have it displayed. Whereas when a word is edited, it isn't always as obvious.
Actually, I think the best alternative would be to just not show anything, like just delete the word. To use Freelances example as an example, "I can't handle this ****". If the word was totally removed, "I can't handle this " still has the exact same meaning, but without the inappropriateness.
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Nov 18, 2002, 03:14 PM | |
The (-/-), (-), (---/), (/), etc. system also helps tell what swear word it is. After all everyone knows what four stars reperesents based on the context. With it changed to (-/-), only people who actually care can tell, and those tend to be the people that aren't offended by it. I think it's a good system myself, but like any system, it isn't perfect.
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And he increases the number of clocks by exactly one. |
Nov 18, 2002, 03:27 PM | |
The idea of the fliter is to protect the supposed kids that we have on the JCF. So if they use *'s to edit it out then it shouldn't matter because the kids should be too innocent to understand what the *'s are replacing.
My point is if you're going to have a word fliter use it and don't replace it with other fliters. Espacially when I'm writting a sentance and it's replaced with a completely different word in ( )'s that's really annoying. Then I have to go back and re-edit so the sentence makes sense.
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<center> L33T LIEK JEFF K. |
Nov 18, 2002, 03:48 PM | |
Well, answer this so I can understand where you're coming from: why is (-/-) worse than *****?
(Note: I do not actually mean anything with these (-/-)s or asteriks. ;-p)
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And he increases the number of clocks by exactly one. |
Nov 18, 2002, 03:55 PM | ||
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Nov 18, 2002, 04:00 PM | |
I agree with Derby. Also, if you want your sentence to not be edited, then don't include content. If there isn't any content, the sentence is fine. I know someone will reply saying that the sentence requires the word use, but that's rarely true. Rephrasing it to not have content will avoid an edit and make the sentence make sense.
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And he increases the number of clocks by exactly one. |
Nov 18, 2002, 06:11 PM | |
Im thankfull for the filter, because with out it ppl would go **** all day and **** like that.
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Fear cuts deeper than swords |
Nov 18, 2002, 09:22 PM | ||
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Nov 19, 2002, 04:17 AM | |
It would be nice if you guys had an option or something about whether or not things were censored. Although I suppose that would be hard to achieve after all of the special editing you do all the time.
Redaction = Masticate.
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Nov 19, 2002, 06:39 AM | |
A few months ago I saw two guys making out at the train station. I thought that was the gayest thing I'ld ever seen, until I saw the editing with smiley faces and replacing of words such as **** with things like "pancreatic juices" put in parenthesis.
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Nov 19, 2002, 11:22 AM | ||
Quote:
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And he increases the number of clocks by exactly one. |
Nov 19, 2002, 12:22 PM | ||
Quote:
__________________
"Are we not threatened with a flood of information? And is this not the monstrousness of it: that it crushes beauty by means of beauty, and annihilates truth by means of truth? For the sound of a million Shakespeares would produce the very same furious din and hubbub as the sound of a herd of prairie buffalo or sea billows." —Stanisław Lem, Imaginary Magnitude (1973) |
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